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Richard Crashaw (1612/13-1649) has been one of the most neglected, misunderstood, misread, and unappreciated of the so-called major metaphysical poets. Critics have long labeled Crashaw’s poetry “foreign,” “grotesque,: “deficient in judgment and taste,” and even “sexually perverse.” In recent years, however, Crashaw’s role in providing an understanding and appreciation of seventeenth century poetic theory and aesthetics has become increasingly more evident to literary scholars and critics. They now generally agree that his poetry occupies a permanent and significant position in the intellectual, religious, and literary history of his time.
This collection of ten original critical and historical essays on the life and art of Crashaw will serve as a further impetus to the renewed interest in Crashaw. In the introduction, John R. Roberts and Lorraine M. Roberts survey past Crashavian criticism, giving the reader an overall view of the critical response to Crashaw and his work. The introduction also signals new directions for future scholarship. Scholars, critics, and students of metaphysical, baroque, and religious poetry will find these essays engaging and insightful.
- Sales Rank: #5216967 in Books
- Published on: 1990-08-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .90" w x 6.00" l, 1.33 pounds
- Binding: Hardcover
- 248 pages
Review
"When trendier vogues have passed, and the race from literature into theory and ideology has exhausted itself, this is the kind of book to which scholars and general readers will return, with admiration and pleasure."--Journal of English and Germanic Philology
"This is an excellent collection of ten essays on a metaphysical poet too much neglected. Each essay is a significant contribution to the understanding of Crashaw."--Choice
About the Author
John R. Roberts is Professor of English at the University of Missouri-Columbia. he is the author of John Donne: An Annotated Bibliography of Modern Criticism, 1912-1967, John Donne: An Annotated Bibliography of Modern Criticism, 1968-1978, Richard Crashaw: An Annotated Bibliography of Criticism, 1632-1980, and George Herbert: An Annotated Bibliography of Modern Criticism, Revised Edition, 1905-1984, all of which are available from the University of Missouri Press. He is also general editor of the commentary for the forthcoming variorum edition of the poetry of John Donne.
Most helpful customer reviews
3 of 3 people found the following review helpful.
If anyone ever reads this review, I will be shocked.
By D. Kovacs
These "new perspectives" on Richard Crashaw are already over 20 years old...
yet they are still cutting edge scholarship and the best out there.
I don't think it's too much to hope that somebody else somewhere still
cares about this truly amazing metaphysical poet...After all, scholarship
on John Donne is still going strong, including a widely-reviewed (and widely
available) recent biography...Why should there be no interest in a 17th
century English Catholic poet whose work still has the power to shock,
enchant, and inspire?
Thankfully almost none of the essays in this book are at all dry -- many of them
point out the "Protestant" bias against Crashaw that has affected literary views
of his poetry throughout the centuries. Perhaps the best essay begins with
a Crashaw epigram that readers have always found both mysterious and disturbing:
Suppose he had been Tabled at thy Teates,
Thy hunger feels not what he eates:
Hee'l have his Teat e're long (a bloody one)
The Mother then must suck the Son.
The analysis provided of this poem is both subtle and clarifying. Anyone with an
interest in the greatest of English poetry -- or interested in the Catholic faith
in England -- will be glad that they managed to track down this book and this
wonderful poet who still deserves to be read with understanding and delight.
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