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Canícula: Snapshots of a Girlhood en la Frontera, by Norma Elia Cantú
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Canícula--the dog days--a particularly intense part of the summer when most cotton is harvested in South Texas. In Norma Cantú's fictionalized memoir of Laredo in the 1940s, 1950s, and early 1960s, it also represents a time between childhood and an as yet unknown adulthood. Actual snapshots and the author's re-created memories allow readers to experience the pivotal events of this world--births, deaths, injuries, fiestas, rites of passage. This popular book won the 1995 Premio Aztlán.
"A personalized ethnography that feels as familiar as my own family album, and as touching."--Ana Castillo
"Intimate as a poem, and as large as the Texas sky, these stories are at once diminutive and grand."--Sandra Cisneros
- Sales Rank: #484249 in Books
- Brand: Brand: University of New Mexico Press
- Published on: 1997-08-01
- Original language: Spanish
- Number of items: 1
- Dimensions: 8.04" h x .47" w x 6.06" l, .51 pounds
- Binding: Paperback
- 144 pages
- Used Book in Good Condition
Review
"A personalized ethnography that feels as familiar as my own family album, and as touching." -- Ana Castillo
"Intimate as a poem, and as large as the Texas sky, these stories are at once diminutive and grand." -- Sandra Cisneros
From the Inside Flap
Chronicles the coming of age of a Chicana in the U.S.-Mexico border towns of Laredo and Nuevo Laredo in the fifties and sixties.
About the Author
Norma Elia Cantu is a professor of Latina/Latino studies and English at the University of Missouri, Kansas City.
Most helpful customer reviews
14 of 16 people found the following review helpful.
A powerful account of a Chicana/o community in Texas
By A Customer
This is a beautifully written memoir by one of our best Chicana writers. Seizing upon Roland Barthes's writings on photography, Cantu reconstructs her childhood on the U.S./Mexican border, teaching us that the border itself is an artificial barrier. This is a moving story of an American family that has worked hard and sacrificed much. We can only hope that the rest of America will recognize sooner than later the enormous contributions to U.S. history made by Mexican Americans.
20 of 22 people found the following review helpful.
Deceptively complex book
By Amazon Customer
Cantu addresses the harsh realities of racism, poverty and Viet Nam without bashing you over the head with strident platitudes. The framework structure coupled with family album snaphots make the book fascinating and truly accessible for a variety of readers. One need not have grown up in los dos Laredos or along the U.S.--Mexican border to identify with this work; one need only be aware of the variety of borders constructed or imposed upon our lives.
1 of 1 people found the following review helpful.
Different worlds
By Story Circle Book Reviews
Where Mexico and Texas meet—la Frontera—at the Rio Grande is not simply a river nor a border. No, it is an intersection of two cultures and two worlds. Author Norma Elia Cantu grew up in both. She tells the stories of this mid-twentieth century world in snapshots—photographs that linger in her family archives—and in short tales, no longer than a snapshot. Some of the stories, she stresses in her introduction, are direct memories of her own family, while others are strictly fictional. In either case, she has captured both a single life and a particular culture. In her introduction she declares her genre to be "fictional autobioethnography." That covers all the bases.
I grew up during the same time and in the same state as Cantu, but we lived in mostly different worlds. I relish learning about her world as I compare it to mine. But the worlds were not entirely different. These two little girls shared the experience of gathering the family around the radio to listen to Dr. IQ with his puzzling questions—that she listened in Spanish and I in English matters not at all. We also both remember and relish memories of our grandparents fiftieth anniversaries and long summer afternoons at the library.
It isn't surprising that some of Cantu's snapshots are remarkably like many of those in the box tucked under my desk. She suggests that "the stories mirror how we live life in our memories, with our past and our present juxtaposed and bleeding, seeping back and forth, one to the other in a recurring dance."
by Trilla Pando
for Story Circle Book Reviews
reviewing books by, for, and about women
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