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Mexico's churches and conventos display a unique blend of European and native styles. Missionary Mendicant friars arrived in New Spain shortly after Cortes's conquest of the Aztec empire in 1521 and immediately related their own European architectural and visual arts styles to the tastes and expectations of native Indians. Right from the beginning the friars conceived of conventos as a special architectural theater in which to carry out their proselytizing. Over four hundred conventos were established in Mexico between 1526 and 1600, and more still in New Mexico in the century following, all built and decorated by native Indian artisans who became masters of European techniques and styles even as they added their own influence. The author argues that these magnificent sixteenth and seventeenth-century structures are as much part of the artistic patrimony of American Indians as their pre-Conquest temples, pyramids, and kivas. Mexican Indians, in fact, adapted European motifs to their own pictorial traditions and thus made a unique contribution to the worldwide spread of the Italian Renaissance.
The author brings a wealth of knowledge of medieval and Renaissance European history, philosophy, theology, art, and architecture to bear on colonial Mexico at the same time as he focuses on indigenous contributions to the colonial enterprise. This ground-breaking study enriches our understanding of the colonial process and the reciprocal relationship between European friars and native artisans.
- Sales Rank: #1392058 in Books
- Published on: 2001-05-01
- Original language: English
- Number of items: 1
- Dimensions: 10.41" h x 1.27" w x 8.36" l, 3.28 pounds
- Binding: Hardcover
- 368 pages
Review
"[Edgerton's] analyses are bold and imaginative; they bring revealing textual and visual material into play, even as they provoke controversy on many points. Stimulating reading for all students of Spanish colonial art, this book should be in every library collecting the culture and history of Mexico."
"Edgerton's text is enthusiastic in tone and always intelligent, lucid, and well supported with primary sources."
. . . a truly outstanding work. This book is recommended for art historians, students, and others interested in art and architecture of Mexico.
"This book should be acquired by libraries and could be of great use not only in art history classes but also in general history and humanities courses."
"This study successfully foregrounds the influence, skill, and presence of indigenous craftsmen and women in the construction of religious architecture and somehow makes them less anonymous."
"Bringing his extensive knowledge of medieval and Renaissance European history, philosophy, theology, art, and architecture to bear on this topic, Edgerton offers a provocative approach to colonial Mexican art and architecture in a field that is entering a period of substantive growth."
ÝEdgertons¨ analyses are bold and imaginative; they bring revealing textual and visual material into play, even as they provoke controversy on many points. Stimulating reading for all students of Spanish colonial art, this book should be in every library collecting the culture and history of Mexico.
"This is a well-researched and fascinating book . . . In an increasingly sensitized multicultural world, there is a need for more books like this that challenge us with images as well as text, and which offer an unexpected and significant view of the comparatively recent past that we thought we knew."
""Theaters of Conversion" is a rich source for historians. Edgerton presents useful biographical discussions; he provides fascinating glimpses of topics beyond the book's stated scope, such as the relationship between medieval street theater and frescos; he keeps technical details to a minimum and clearly explains the terms he employs. In short, this volume is accessible, inviting, and instructive."
"Samuel Y. Edgerton's gorgeously illustrated book on Indian artistic contributions to religious achitecture could easily be classified as a coffee table book. But is not simply artistically appealing; it is also intriguing reading and a critical text that was more than a decade in the making. . . Edgerton's text breaks new ground in art history research and should be of interest to the lay reader as well as academics."
From the Publisher
In this enthusiastic study by a noted historian of Italian Renaissance art, Edgerton’s dual mission is to make better known and appreciated the art and architecture produced in Mexico in the 16th century under the direction of mendicant friars and to account for its religious impact on the indigenous people and for its production by native artisans . . . . His analyses are bold and imaginative . . . . Stimulating reading for all students of Spanish colonial art, this book should be in every library collecting the culture and history of Mexico.—Choice
From the Inside Flap
Missionary friars arrived in New Spain in 1521 and related their own European architectural and visual arts styles to the tastes and expectations of native Indians, conceiving of conventos as a special architectural theater in which to carry out their proselytizing.
Most helpful customer reviews
5 of 7 people found the following review helpful.
Mexican Art
By Constance Green
I loved this book, and am currently doing something I've done only twice in my life. I finished it and have turned back to the beginning to read it again.
Not only is the material absolutely fascinating, but the author is a lovely writer. I go to Mexico frequently, and this book will change and profoundly deepen the way I look at so many of the old churches and convents I've always enjoyed visiting.
The author should consider organizing a tour of the places covered in this work. I'd love to go.
Connie Green, Napa CA
2 of 2 people found the following review helpful.
Great book and free of politics.
By Elizabeth
This is a fascinating view of the Spanish colonization efforts in what we now refer to as Latin America. It shows the cultural sensitivity and at the same time pride of the Spaniards: they thought the high drama of their society would attract the Indians, and they observed the cultural dramas of the Indians (because the Mexican and South American Indian cultures were very visual and dramatic) and figured out what would appeal to them. I had visited some of these places about a year before reading this book and nobody who lives there, even they are still proud of their heritage, could answer my questions. That made this book especially wonderful.
0 of 1 people found the following review helpful.
A Unique Publication.
By ROBSAD
A Wonderful Book.
An informative book which I would recommend to friends who have similar interests.
Buy this book now
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