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Heart of Aztlan: A Novel, by Rudolfo A. Anaya
Download Heart of Aztlan: A Novel, by Rudolfo A. Anaya
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The Albuquerque barrio portrayed in this vivid novel of postwar New Mexico is a place where urban and rural, political and religious realities coexist, collide, and combine. The magic realism for which Anaya is well known combines with an emphatic portrayal of the plight of workers dispossessed of their heritage and struggling to survive in an alien culture.
- Sales Rank: #880683 in Books
- Published on: 1988-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.12" h x .55" w x 6.16" l,
- Binding: Paperback
- 215 pages
- Rudolfo A. Anaya
- Hispanic American
- Cultural Heritage
Review
"In "Heart of Aztlan a prose writer with the soul of a poet, and a dedication to his calling that only the greatest artists ever sustain, is on an important track, the right one, the only one."
"A vivid sense of Chicano life since World War II."
"Mixed with the Native American legends and Hispanic traditions of this wonderful book are the basic human motivations that touch all cultures. It is a rip-roaring good read."
"In "Heart of Aztlan" a prose writer with the soul of a poet, and a dedication to his calling that only the greatest artists ever sustain, is on an important track, the right one, the only one."
." . . he vividly depicted life in the barrio, placing a strong emphasis on the struggles that were daily encountered by the people of Barelas. . . . vividly illustrated in a most compelling manner, and yet the simple message of hope in the face of adversity as the novel came to a close was truly inspiring."
," . . he vividly depicted life in the barrio, placing a strong emphasis on the struggles that were daily encountered by the people of Barelas. . . . vividly illustrated in a most compelling manner, and yet the simple message of hope in the face of adversity as the novel came to a close was truly inspiring."
From the Inside Flap
"In Heart of Aztlan a prose writer with the soul of a poet, and a dedication to his calling that only the greatest artists ever sustain, is on an important track, the right one, the only one."-La Confluencia
About the Author
Rudolfo Anaya, widely acclaimed as one of the founders of modern Chicano literature, is professor emeritus of English at the University of New Mexico. Anaya was presented with the National Medal of Arts for literature in 2001 and his novel Alburquerque (the city's original Spanish spelling) won the PEN Center West Award for Fiction. He has also received the Premio Quinto Sol, the national Chicano literary award, the American Book Award from The Before Columbus Foundation, the Mexican Medal of Friendship from the Mexican Consulate, and the Western Literature Association's Distinguished Achievement Award. He is best known for the classic Bless Me Ultima.
Most helpful customer reviews
0 of 0 people found the following review helpful.
I love Anaya's work
By Amazon Customer
I love Anaya's work. As a citizen of New Mexico (half time) I appreciate Anaya's insights into the Hispanic culture.
0 of 0 people found the following review helpful.
Awesome book
By Carmella B. Montoya
I enjoy reading any book by Rudolfo Anaya. He is an outstanding author.
3 of 3 people found the following review helpful.
A Novel With Something to Say
By Oddsfish
I know that when Heart of Aztlan came out it was pretty well bashed by the critics. Admittedly, it isn't up to the level of Anaya's best work (i.e. Bless Me, Ultima), and its flaws are pretty obvious. It's an unbalanced novel. So much space of the novel is spent following Jason and his struggles in a school that devalues him and his culture, and his story seems quite unfinished at the end of the novel. The magical realism is fine and important but is so suddenly introduced in the novel as to feel an intrusion. I've no problem with the presence or the shape of politics in this novel, but I did feel that Anaya was a little heavy-handed in its treatment. The beginning half of the novel is, to be honest, pretty dull.
And yet, despite these frustrations I have with the book, it has a lot of merit. There is a lot of heart in this story. The loss of land; the struggles of being caught up in the dehumanizing crush of work in the train yards and life in the city; the hopelessness and self-hatred that can be acquired in the schools; the strains that being poor, powerless, and marginalized can press upon a family; the sad plight of the family who is ostracized from even their own community--each of these struggles is vividly and compassionately depicted in the novel. And working against these forces is Clemente's rising consciousness, and the myths that he is coming to embody and invoke. When I get to the novel's ending (I won't give it away), it feels really right and really feels like something has been said in this book. The ending feels artistic, mythically charged, and you leave the novel with a sense of urgency, the desire to work toward a more just world.
So, it's not a perfect novel, not for everyone's taste, but it is, ultimately, a worthwhile novel, with something to say.
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